Blog  ⌇ What was I thinking…?

(Un)read in the ledger: Monday 28 October–Sunday 3 November 2024

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A pattern made up of a repeated icon of three books in a pile on top of each other. The top book has a lilac cover, the middle book has a green cover and the bottom book has a peach coloured cover. The piles of books are on a bright blue background.

My weekly reading list

Wikipedia research on rabbit holes and Australian places, growing awareness of Indigenous data and a definition of open source AI.


Read

Funnily enough, most of what I read this week was published the week before, but here’s what I’ve been reading this week:

Open with care

Indigenous Data Sovereignty and open data do not have to be mutually exclusive concepts.

Using the PhD research of Native Hawaiian Leslie “Leke” Hutchins as an illustrative example, this article looks at how open data and Indigenous Data Sovereignty and the CARE Principles can be seen as in conflict with one another, but that they can co-exist. Hutchins was researching arthropod diversity on Native Hawaiian coffee plantations. He was interested to know if the return of native flora and biodiversity on coffee plantations was affected arthropod diversity. Hutchins recognised that “the arthropod samples he was collecting count as Indigenous data because they come from Native lands and have cultural significance, just like sacred objects and traditional knowledge. So he requested the farmers’ consent for any data he shared in his paper, and redacted the names and locations of arthropod species and their sequencing data to keep culturally sensitive information from outsiders and reduce unauthorized visits to the farms.” Hutchins’s research aligned with the CARE principles, developed to ensure the collective benefit, authority, responsibility and ethics of Indigenous data. It is a great article that demonstrates in practical terms that openness in research and data does not mean that Indigenous Data Sovereignty and the CARE Principles cannot also be accommodated. In fact, doing so is part of a process to change the history of unethical use of Inidgenous data in research.

Office of the Australian Information Commissioner, Australian Government

Publishers are absolutely terrified “preserved video games would be used for recreational purposes,” so the US copyright office has struck down a major effort for game preservation

The US Copyright Office has decided there will be no change to the DMCA anti-circumvention rules for access for researchers to preserved video games.

The US Copyright Office has denied a push by the Software Preservation Network (SPN) and the Video Game History Foundation (VGHF) to add an exception to the anti-circumvention rules that would have allowed libraries and archives to remotely share copies of out-of-print video games held in their collections with researchers through emulation. Currently they are not able to circumvent any technical protection measure (TPM) on games even where the intended use is not a copyright infringement.

The Copyright Office determined that there was “… greater risk of market harm with removing the video game exemption’s premises limitation, given the market for legacy video games” and that “… proponents did not show that removing a single-user limitation for preserved computer games or permitting off-premises access to video games are likely to be noninfringing.” The ruling also reiterates concerns put forward by the Entertainment Software Assocaition and other video games lobby groups that the proposed change would result in games being used for recreational purposes. Of course, as the article’s author notes, the digital lending by libraries of other types of content such as books and movies are for recreational purposes.

In their statement in response to the Copyright Office’s final rule the VGHF pointed to their research that shows 87 percent of video games released in the US before 2010 are out of print. The only way to legally access such titles once they are not commercially available is through the second-hand market.Sadly this situation is reflective of a lot of copyright lobbying. As Frank Cifaldi from the VGHF said on X, “This fails the needs of citizens in favor of a weak sauce argument from the industry, and it’s really disappointing.”

GamesRadar+

Also worth reading on this topic:

Statement on the DMCA 2024 triennial review ruling

The Video Game History Foundation’s statement on the US Copyright Office’s ruling.

Video Game History Foundation

Going down a Wikipedia rabbit hole? Science says you’re one of these three types

Wikipedia rabbit holes vary depending on a user’s style of curiosity: busybody, hunter and dancer.

Internet rabbit holes are a thing and Wikipedia is responsible for its fair share of curiosity-driven click-on-click timesinks. As the article says, “Part of what made Wikipedia groundbreaking was how it satisfies people’s intrinsic learning needs by inviting navigation from page to page, luring readers into rabbit holes.” A large-scale research project involving more than 480,000 Wikipedia users in 14 languages across 50 countries investigates reading ‘curiosity styles’ – “the different “architectural styles of curiosity” people embody when they navigate” – and “the “knowledge networks” associated with the three main styles of curiosity: busybody, hunter and dancer”:

“The busybody scouts for loose threads of novelty, the hunter pursues specific answers in a projectile path, and the dancer leaps in creative breaks with tradition across typically siloed areas of knowledge.”

The research also suggests there is a spectrum of other curiosity styles beyond the main three.

In the article, the author states that “Studying Wikipedia readers reveals a rich picture of people’s freely expressed, diverse online curiosities” and that “Wikipedia (and sites like it) could better support curiosity-driven exploration” by, for example, “showing readers their own dynamic knowledge network” “rather than suggesting pages based on their popularity or similarity to other pages”. I am interested in all of these ideas.

The Conversation

How Australian Places are Represented on Wikipedia: A report of the WikiStories Project

wikihistories’ new report shows that Australian places on Wikipedia widely follow a settler-colonial view, with other perspectives sanitised or omitted.

The wikihistories project at UTS has published its second report, this time looking at how well Australian places are covered on Wikipedia, if at all. Through an exaimination of 35,000 articles about Australian places and interviews with volunteer editors the report tries to understand how Wikipedia represents Australian places and the editing practices that drive how those representations come about.

I encourage anyone interested in Wikimedia projects and free knowledge read the report. There are so many insights to take from it. For me, what is apparent through the report is that the situation we find ourselves in – in which “Wikipedia representation of Australian places is anthropocentric and neocolonial” – is the amalgam of a range of intersecting phenomenon. As the report notes, this includes:

  • the ‘negotiation’ between Wikipedia editors when writing about Australian places,
  • the diversity of editor practices and motivations for editing, especially when writing about Australian places (including, in some cases, avoidance of certain subject-matter to avoid ‘edit wars’),
  • the complexities of reconciling Aboriginal and Torres Strait Islander ways of knowing, being and doing with the settler-colonial status quo – individually, socially and politically,
  • the Western-centric foundational, technological and normative practices (especially in relation to understandings of space and place) on the platform.

What results is a partial or biased view that sanitises how many places are represented or systematically omits certain places at together. Where places are included on Wikipedia, the text presented does not represent all views connected to a place.

Places further from major cities see fewer articles and are less attention by editors. And “The cities, towns, and administrative divisions founded by European settlers guide the creation, editing and reading of Wikipedia articles. First Nations, ecological, or cosmopolitan senses of place need to fight or negotiate to find room within this nationalist European structure.” There has been some positive momentum to address this reality by some editors, but plenty of resistance still remains on Wikipedia.Given how valuable and insightful the report is, I will likely publish an explainer about the report and its findings soon. It is an important piece of work that sits alongside Wikimedia Australia’s commissioned research into the complex relationships Aboriginal and Torres Strait Islander people may experience when reading or contributing to Wikipedia and how to better recognise, respect and reflect Aboriginal and Torres Strait Islander peoples and their knowledge systems within the Wikimedia projects.

wikihistories

Also worth reading on this topic:

We analysed 35,000 Wikipedia entries about Australian places. Some of them sanitise history

An article published in the lead-up to the launch of the report that explores the key findings.

The Conversation

The Open Source AI Definition – 1.0

OSI releases the Open Source AI Definition.

The Open Source Initiative has released a stable first version of the Open Source AI Definition which provides for community-led, open and public evaluations to validate whether an AI system can be defined as Open Source AI. An Open Source AI system grants the freedoms to use, study, modify and share the system for any purpose without restrictions. Ayah Bdeir, who leads AI strategy at Mozilla, said in the accompanying blog post that “The new definition requires Open Source models to provide enough information about their training data so that a ‘skilled person can recreate a substantially equivalent system using the same or similar data,’ which goes further than what many proprietary or ostensibly Open Source models do today.” As Kylie Robison says on The Verge Style: italics Meta’s Llama fails to meet the definitional requirements.

Open Source Initiative

Also worth reading on this topic:

The Open Source Initiative Announces the Release of the Industry’s First Open Source AI Definition

A blog post about the Open Source AI Definition and how it came about.

Blog, Open Source Initiative

Open-source AI must reveal its training data, per new OSI definition

The Verge reports on the Open Source AI Definition and how it can be used to push back against ‘open washing’.

The Verge

As the WordPress saga continues, CIOs need to figure out what it might mean for all open source

WordPress v WP Engine seems to be spooking the CIO horses!

I read this concerning article suggesting Chief Information Officers (CIOs) reconsider relying on open source software or try to avoid it all together in light of the very public fight between WordPress and WP Engine. It argues that CIOs need to carefully monitor the stability of open source ecosystems, assess their use of open source platforms and consider the risks involved. A number of commentators are quoted in the article cautioning all kinds of things about using open source. One even goes so far as to blame overreliance on an ‘ethos’ and a lack of well structured contracts in open source projects as a basis for risks. Even though the article also includes comments about why proprietary software also carries risk, it concerns me that this and similar articles may sway enterprises away from using open soruce.

CIO


A bit on the side

Other tasty tidbits this week:

Carolyn Barnes uses The Saturday Paper to look at the recent Melbourne Sculpture Biennale and its place in the Melbourne cultural scene, as well as in the multidisciplinary, experiential and global practice of scuplture.

The wikistories report I mentioned earlier is a timely reminder that places on this continent already had names, so it was interesting and coincidental that I also found out about Place Names Melville this week, a Noongar language project reviving local Aboriginal words for places and reclaiming lost culture.  It’s a collaboration between Community Arts Network, Moodjar and the City of Melville.

Southern Cross University has decided to stop offering undergraduate degrees in creative arts including contemporary music, digital media, and art and design, citing dropping demand as the reason.

Ben Eltham asks where Labor’s local content quotas for digital streaming services got to. Arts Minister Tony Burke committed the government to introducing legislation by the second half of the year but there’s no sign of draft text yet. The delay has been attributed to concerns about the implications of local content quotas for Australia’s free-trade agreement with the United States.

More to read

Of course, there’s lots of other stuff I have been reading that doesn’t make it into the weekly round up. If the long list is too much, I also group links into collections:

If you have a Google Account you can even share links with me.

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Disclosure

Conflict of interest

I am the Co-lead of Creative Commons Australia (CC AU), I am an individual member of the Creative Commons Global Network and I have been involved with the TAROCH (Towards a Recommendation on Open Culture) project which is led by CC. The views expressed in this blog post are my own and do not express the views of CC AU or the Creative Commons Corporation.

I am the President of Wikimedia Australia (WMAU). The views expressed in this blog post are my own and do not express the views of WMAU.

AI use

This blog post was drafted using Google Docs. No part of the text of this blog post was generated using AI. The original text was not modified or improved using AI. No text suggested by AI was incorporated. If spelling or grammar corrections were suggested by AI they were accepted or rejected based on my discretion (however, sometimes spelling, grammar and corrections of typos may have occurred automatically in Google Docs).

The banner image (i.e. the first image at the top of the blog post) was generated by AI using Text to Vector Graphic (Beta) in Adobe Illustrator.


Credits

Image: A pattern made up of a repeated icon of three books in a pile on top of each other. The top book has a lilac cover, the middle book has a green cover and the bottom book has a peach coloured cover. The piles of books are on a bright blue background. The icon is an adaptation of an vector graphic generated by Elliott Bledsoe using the AI tool Text to Vector Graphic (Beta) in Adobe Illustrator. Prompt: ‘Hand drawn pile of books simple lines’.


Provenance

This blog post was produced by Elliott Bledsoe from Agentry, an arts marketing micro-consultancy. It was first published on 3 Nov 2024. It has not been updated. This is version 1.0. Questions, comments and corrections are welcome – get in touch any time.


Reuse

Good ideas shouldn’t be kept to yourself. I believe in the power of open access to information and creativity and a thriving commons of shared knowledge and culture. That’s why this blog post is licensed for reuse under a Creative Commons licence.

A bright green version of the Creative Commons brand icon. It is two lowercase letter Cs styled similar to the global symbol for copyright but with a second C. Like the C in the copyright symbol, the two Cs are enclosed in a circle.A bright green version of the Creative Commons brand icon. It is two lowercase letter Cs styled similar to the global symbol for copyright but with a second C. Like the C in the copyright symbol, the two Cs are enclosed in a circle.

Unless otherwise stated or indicated, this blog post – (Un)read in the ledger: Monday 28 October–Sunday 3 November 2024 – is licensed under the terms of a Creative Commons Attribution 4.0 International licence (CC BY 4.0). Please attribute Elliott Bledsoe as the original creator. View the full copyright licensing information for clarification.

Under the licence, you are free to copyshare and adapt this blog post, or any modified version you create from it, even commercially, as long as you give credit to Elliott Bledsoe as the original creator of it. So please make use of this blog post as you see fit.

Please note: Whether AI-generated outputs are protected by copyright remains contested. To the extent that copyright exists, if at all, in the icon I generated using AI or the banner image I compiled using that icon for this blog post (i.e. the first image at the top of the blog post), I also license it for reuse under the terms of the Creative Commons licence (CC BY 4.0).



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