Blog  ⌇ What was I thinking…?

(Un)read in the ledger: Monday 30 December 2024–Sunday 05 January 2025

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A pattern made up of a repeated icon of two books on top of each other. The top book has a bright yellow cover and the bottom book has a bright pink cover. The bottom book has a teal bookmark. The piles of books are on a bright orange background.

My weekly reading list

We can expect a lot of things with Trump’s second administration, including an emboldened Musk and changes to Meta’s global affairs leadership.

So I slacked off at the end of 2024 and stopped doing my weekly reading lists. Here’s hoping I can keep it up in 2025!


Read

Here’s what I’ve been reading this week:

From Loneliness to Belonging: 5 Trends are Hacking the Museum Experience

As museums adapt to social change there are challengers to becoming places to belong.

Museum Next

I am not one for prediction content. They rarely are insightful – especially these days. That said, this piece by Jim Richardson about trends transforming museums did pique my interest. Richardson looks at five “big trends rewriting the museum playbook”:

  1. Hyperlocal Community Hubs – In uncertain times, people look locally for connection and museums can lean into their role as community hubs through programming that responds to uncertainty.
  2. Interactive Creativity Playgrounds – Interactivity in the museum prompts creative engagement, making museums spaces for active participation and self expression, not just browsing artefacts.
  3. Combatting Loneliness with Engaging Programmes – Socially-focuses programming by museums can give people the affordable IRL experiences for socialising and learning together they are looking for.
  4. Planetary and Personal Wellness Ecosystems – Propelled by people’s concern for personal and planetary well‐being, museums need to cleverly combine physical health, mental wellness and eco‐friendly practices into business as usual.
  5. Bridging the Digital-Physical Divide – The desire for IRL should not undermine digital offers. A museum’s engagement strategy should integrate on-site and online to keep the experience going.

I don’t disagree with these trends, but there are significant challenges for Australian museums. Some significant mindset shifts are needed. ‘Belonging’ needs to break out of the CRM; it is more than an annual membership renewal request or donation ask! Likewise, many museums struggle to think of themselves in a hyperlocal context. The stigma of ‘local’ in a museum context meaning small, volunteer-run local history museums that only open for a few hours on weekends will need to be dismantled. And balancing budgets as you try to incorporate inclusion, immersion and engaging online experiences will continue to give museum administrators grief.

Music by classical composers Mozart and Chopin rediscovered and brought back to life

What the discovery of new music by Mozart and Chopin says about the importance of cultural heritage collections.

ABC News and ABC Classic, Australian Broadcasting Corporation

Naturally ABC Classic would be interested in the discovery of new music by classic composers Wolfgang Amadeus Mozart and Frédéric Chopin, but there’s another side to this story that interests me; the importance of libraries and archives in preserving history and culture. In September last year, Leipziger Städtische Bibliotheken (City of Leipzig municipal libraries) announced that an unknown set of serenades by Mozart were discovered in their collection of his works. Not long after, The New York Times reported the discovery of a lost waltz by Chopin found in the Morgan Library and Museum collection. Not to downplay the excitement for classical music lovers of these discoveries, but what they also represent is why we need to properly resource libraries, archives and cultural heritage institutions. In these cases, it was libraries that ensured these culturally important works did not become the casualty of loss, destruction or neglect. Importantly, we often can’t know the significance of collections items when they join a collection. Their noteworthiness may not be fully realised until years later.

Also worth reading on this topic:

‘We didn’t know’ – the young musicians chosen for secret premiere of lost Mozart work

Classic FM

A cute article about the three musicians from the Leipzig Youth Symphony Orchestral who didn’t know they were playing the new Mozart work until a few days before the performance.

Following Mozart Composition Unearthing, A Previously Unheard Chopin Work Has Been Found

Stereogum

Another article about the discoveries on music blog Stereogum.

Elon Musk demands UK far-right activist be freed

Musk ups his political meddling in the UK and Europe.

AM, ABC Radio National, Australian Broadcasting Corporation

I was listening to an AM segment (it still counts as a reading because you can read the transcript on the web page!) from Radio National about Musk’s political movement. Fresh off the success of a Trump re-election, Musk is again flexing political muscle in the UK, calling for the release of far-right activist far-right agitator Tommy Robinson and reportedly committing up to $160 million to right-wing party, Reform UK. While Musk’s outspoken political views are messy and unpredictable at times, his support of conservative political agendas is shining through.

Musk has also taken aim at the Wikimedia Foundation again, criticising its spending on diversity, equity and inclusion (DEI) initiatives, discouraging people from donating to ‘Wokepedia’ and renewing prior calls for ‘balance to [Wikipedia] editing’. In my opinion, Musk’s dislike of Wikipedia actually stems from the fact it is a widely used information source that Musk can’t easily influence and it leans a different direction to Musk.

Also worth reading on this topic:

How do you solve a problem like Elon Musk?

POLITICO

A deep-dive into Musk’s political meddling in Europe and how his unpredictability and outspokenness poses a challenge for European governments.

Net neutrality eviscerated by appeals court ruling

The US Court of Appeals and Trump’s next administration likely means net neutrality is dead in the US (for now at least).

The Verge

The political situation around net neutrality in the US is complicated, made worse by the fact that it is a political football. Political appointments to the Federal Communications Commission (FCC) have seen net neutrality rules passed and removed and reinstated. While they were likely to be targeted during the second Trump administration, it looks like that won’t be necessary since the United States Court of Appeals for the Sixth Circuit has ruled that the FCC does not have the authority to impose net neutrality rules on internet service providers (ISPs). There’s some technical legal reasoning behind the decision which I won’t get into, but the result is that net neutrality is likely dead in the US, at least during the second Trump administration.

Also worth reading on this topic:

Court strikes down US net neutrality rules

BBC News, British Broadcasting Corporation

Other coverage of the Court of Appeals decision.

Meta Replaces Nick Clegg with Joel Kaplan as Global Affairs Chief Ahead of Trump Inauguration

Meta shuffles global affairs and global policy roles in preparation for Trump’s inauguration.

Speaking of Trump’s second term, Meta is readying itself by replacing its President of Global Affairs, the former Deputy Prime Minister of the United Kingdom and Liberal Democrats politician Nick Clegg, with Joel Kaplan, Republican and former White House Deputy Chief of Staff for Policy under George W. Bush. Former Republican Federal Communications Commission chairman Kevin Martin will replace Kaplan as Vice President of Global Policy. As Clegg says, “Kaplan’s appointment signals Meta’s intent to strengthen its relationships with conservative policymakers.”

More to read

Of course, there’s lots of other stuff I have been reading that doesn’t make it into the weekly round up. If the long list is too much, I also group links into collections:

If you have a Google Account you can even share links with me.

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Disclosure

Conflict of interest

I am the Copyright Officer (part-time) at the Australian Digital Alliance (ADA) and at the Australian Libraries and Archives Copyright Coalition (ALACC). The views expressed in this blog post are my own and do not express the views of the ADA or the ALACC.

I am the President of Wikimedia Australia (WMAU). The views expressed in this blog post are my own and do not express the views of WMAU.

AI use

This blog post was drafted using Google Docs. No part of the text of this blog post was generated using AI. The original text was not modified or improved using AI. No text suggested by AI was incorporated. If spelling or grammar corrections were suggested by AI they were accepted or rejected based on my discretion (however, sometimes spelling, grammar and corrections of typos may have occurred automatically in Google Docs).

The icon in the banner image (i.e. the first image at the top of the blog post) was generated by AI using Text to Vector Graphic (Beta) in Adobe Illustrator.


Credits

A pattern made up of a repeated icon of two books on top of each other. The top book has a bright yellow cover and the bottom book has a bright pink cover. The bottom book has a teal bookmark. The piles of books are on a bright orange background.

Image: A pattern made up of a repeated icon of two books on top of each other. The top book has a bright yellow cover and the bottom book has a bright pink cover. The bottom book has a teal bookmark. The piles of books are on a bright orange background. The icon is an adaptation of an vector graphic generated by Elliott Bledsoe using the AI tool Text to Vector Graphic (Beta) in Adobe Illustrator. Prompt: ‘A simple hand drawn pile of books’.


Provenance

This blog post was produced by Elliott Bledsoe from Agentry, an arts marketing micro-consultancy. It was first published on 5 Jan 2025. It has not been updated. This is version 1.0. Questions, comments and corrections are welcome – get in touch any time.


Reuse

Good ideas shouldn’t be kept to yourself. I believe in the power of open access to information and creativity and a thriving commons of shared knowledge and culture. That’s why this blog post is licensed for reuse under a Creative Commons licence.

A bright green version of the Creative Commons brand icon. It is two lowercase letter Cs styled similar to the global symbol for copyright but with a second C. Like the C in the copyright symbol, the two Cs are enclosed in a circle.A bright green version of the Creative Commons brand icon. It is two lowercase letter Cs styled similar to the global symbol for copyright but with a second C. Like the C in the copyright symbol, the two Cs are enclosed in a circle.

Unless otherwise stated or indicated, this blog post – (Un)read in the ledger: Monday 30 December 2024–Sunday 05 January 2025 – is licensed under the terms of a Creative Commons Attribution 4.0 International licence (CC BY 4.0). Please attribute Elliott Bledsoe as the original creator. View the full copyright licensing information for clarification.

Under the licence, you are free to copyshare and adapt this blog post, or any modified version you create from it, even commercially, as long as you give credit to Elliott Bledsoe as the original creator of it. So please make use of this blog post as you see fit.

Please note: Whether AI-generated outputs are protected by copyright remains contested. To the extent that copyright exists, if at all, in the icon I generated using AI or the banner image I compiled using that icon for this blog post (i.e. the first image at the top of the blog post), I also license it for reuse under the terms of the Creative Commons licence (CC BY 4.0).


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